Here’s the paper Sam Pluta and I presented at ICMC 2026 on MMMAudio, a new computer music environment that we’ve created. Read Full Paper abstract: We introduce MMMAudio, a new audio creative coding environment designed to close the gap between instrument building and low-level DSP development while reducing the maintenance burden typical of monolithic, compiled systems. Contemporary computer music languages such as Max, Pure Data, and SuperCollider excel at graph-based instrument design but impose steep barriers when custom DSP is required, pushing users into C/C++ plugin workflows with unfamiliar APIs, build systems, and cross-platform complexities.

check out the GitHub Repo for this project. The Serge Modular Archive Instrument (created in collaboration with Jean Brazeau) is a sample-based computer emulation of selected patches on the vintage Serge Modular instrument that is housed at Simon Frasier University in Vancouver, Canada. The project is conceived of as both an instrument for sonic exploration and an archive of the sound worlds made by this 50+ year old instrument, including (or highlighting) all of the idiosyncrasies it has accumulated over the years.

Screenshot of DJII Pronounced like the letter “G” DJII was designed by Dana Jessen and Ted Moore during 2021-2022 and coded by Ted Moore in SuperCollider. The software is designed to be used by an improvising solo musician as supporting electronics material. The modular GUI design allows for intuitive exploration of sound possibilities including flexible matrix-based routing. Software-wide state save and recall enables performer navigation through different preplanned sections of a performance.

Commissioned by composer Katie Balch, this application allows for microtonal adjustment of each note +/-50 cents. It can be connected to and played by a MIDI keyboard as well as with a QWERTY keyboard for quick and easy use. Tunings can be saved as files and recalled for continued use on multiple projects. github

Module Tensor is the custom software I coded in SuperCollider and use to improvise on live electronics. It is based on a system of routing audio through processing modules and maximal flexibility of control with any MIDI or OSC devices. The primary use is live laptop improvisation, but it is also used as a framework for executing performances of my compositions. The conceptual structuring of this software is based on the research of laptop improviser Sam Pluta.